Those Passions

On Art and Politics

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The careful distillation of a lifetime’s writing by the internationally renowned art historian T. J. Clark, who addresses key issues of art’s relationship with politics

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Is art obliged to engage with politics? If so, how? By taking sides in political struggle; by singing the song of the barricade, the new nation, the bombed city? Or by giving form to the deeper patterns of experience – the raw materials of ‘society’ – from which any politics is made? Using case studies stretching across the centuries, from Hieronymus Bosch to Jacques-Louis David and the French Revolution, from Walter Benjamin to Pier Paolo Pasolini, Those Passions aims to show how modern art has responded to the chaos and danger of modern life.

In the book’s three sections – ‘Precursors’, ‘Moderns’ and ‘Modernities’ – internationally renowned art historian T. J. Clark unpicks the nature of capitalist society and its visual culture. He tries to understand the politics of appearance which is now our natural home – the twists and turns of consumerism, the arrival of the 24-hour image-world, the changing modes of symbolic production and the ongoing saturation of life by pictures and ‘data’ – and take stock of our guilty love affair with the imagery of violence, our attitude to the dream-world of advertising, the power and pathos of screen time.

Written over the course of twenty-five years, these radical, provocative essays rethink issues central to art-making and political life today.
Extent: 384 pp
Format: Hardback
Illustrations: 106
Publication date: 2025-02-20
Size: 24.6 x 18.6 cm
ISBN: 9780500025260

Press Reviews

For those, though, who relish brilliant analysis of painting as well as former students of art history, like me, for whom, at university, Clark was a sort of god <i>Those Passions</i> will be essential reading. Its finest essays engage in depth with paintings subtle minutiae, observing and explaining how tiny touches can contribute to powerful overall effects. A bravura study of Henri Matisses <i>Woman with a Hat</i> (1905) is a case in point. ... Likewise, his scintillating exposition of <i>The Lion Hunt</i> (1855) by Eugne Delacroix a detail from which, reproduced on a French poster which he bought in 1966, dominates his study
Sunday Telegraph

A timely study of the connection between art and politics
Observer

The historian T.J. Clark introduces a cast of provocateurs in this thoughtful work on the role of politics in art For the most part, Clark assesses the ways in which artists have responded to the upheavals of their times, using examples that encompass Rembrandts self-portraits, Jacques-Louis Davids revolutionary verve, the anarchism of James Ensor and the Marxism of filmmaker Pier Paolo Pasolini
Christie's


About the Author

T. J. Clark is Professor Emeritus of the History of Art at the University of California, Berkeley. He is the author of the seminal The Painting of Modern Life: Paris in the Art of Manet and His Followers (1984), Farewell to an Idea: Episodes from a History of Modernism (1999) and The Sight of Death: An Experiment in Art Writing (2006). He writes art criticism regularly for the London Review of Books. His last book was If These Apples Should Fall: Cézanne and the Present (2022), also published by Thames & Hudson.

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