In the book’s three sections – ‘Precursors’, ‘Moderns’ and ‘Modernities’ – internationally renowned art historian T. J. Clark unpicks the nature of capitalist society and its visual culture. He tries to understand the politics of appearance which is now our natural home – the twists and turns of consumerism, the arrival of the 24-hour image-world, the changing modes of symbolic production and the ongoing saturation of life by pictures and ‘data’ – and take stock of our guilty love affair with the imagery of violence, our attitude to the dream-world of advertising, the power and pathos of screen time.
Written over the course of twenty-five years, these radical, provocative essays rethink issues central to art-making and political life today.
Format: Hardback
Illustrations: 106
Publication date: 2025-02-20
Size: 24.6 x 18.6 cm
ISBN: 9780500025260
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Press Reviews
Financial Times
Book of the Week, Guardian
David Carrier, Counterpunch
John Banville, New Statesman
T. J. Clark is Professor Emeritus of the History of Art at the University of California, Berkeley. He is the author of the seminal The Painting of Modern Life: Paris in the Art of Manet and His Followers (1984), Farewell to an Idea: Episodes from a History of Modernism (1999) and The Sight of Death: An Experiment in Art Writing (2006). He writes art criticism regularly for the London Review of Books. His last book was If These Apples Should Fall: Cézanne and the Present (2022), also published by Thames & Hudson.