The arrival of the Industrial Revolution in the early 19th century witnessed unprecedented changes in society: rapid economic progress went hand-in-hand with appalling working conditions, displacement, squalor and destitution for those at the bottom of the social scale. These new circumstances presented a challenge to contemporary image-makers, who wished to capture the effects of hunger, poverty and alienation in Britain, Ireland and France in the era before documentary photography.
In this groundbreaking book, the eminent art historian Linda Nochlin examines the styles and expressive strategies that were used by artists and illustrators to capture this misère, roughly characterized as poverty that afflicts both body and soul. She investigates images of the Irish Famine in the period 1846–51; the gendered representation of misery, particularly of poor women and prostitutes; and the work of three very different artists: Théodore Géricault, Gustave Courbet and the less well-known Fernand Pelez. The artists’ desire to depict the poor and the outcast accurately and convincingly is still a pertinent issue, though now, as Nochlin observes, the question has a moral and ethical dimension – does the documentary style belittle its subjects and degrade their condition?
'Nochlin’s influence on critical writing and teaching is legendary, and this engrossing analysis of the visual representation of misery in the 19th century is a must-read for anyone hoping to address our troubling times'
'A fascinating coda to a great career'
Frances Spalding, Guardian
'Brilliant and important … Nochlin was a trailblazer to the end'
'This slim, erudite, enlightened volume is a heartfelt coda to [Linda Nochlin’s] oeuvre'