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If These Apples Should Fall
Cézanne and the Present
T. J. Clark
£30.00
A penetrating analysis of the work of one of the most influential painters in the history of modern art by one of the world’s most respected art historians
See InsideOverview
For more than a century the art of Paul Cézanne was deemed to hold the key to modernity. His painting was a touchstone for Samuel Beckett as much as Henri Matisse. Rainer Maria Rilke revered him deeply, as did Pablo Picasso. If we lost touch with his sense of life, they thought, we lost an essential element in our self-understanding.
In If These Apples Should Fall, T. J. Clark looks back on Cézanne from a moment – our own – when such judgments may seem to need justifying. What was it, the book asks, that held Cézanne’s viewers spellbound?
At the heart of Cézanne lies a sense of disquiet: a homelessness haunting the vividness, an anxiety underlying the appeal of colour. T. J. Clark addresses this strangeness head-on, and examines the art of Pissarro, Matisse and others in relation to it; above all, he speaks to the uncanniness and beauty of Cézanne’s achievement.
Written in his characteristically engaging style by one of our most significant writers on art, If These Apples Should Fall is essential reading for anyone with a serious interest in Cézanne, or indeed the history of modern art.
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Product Information
Book Details
Format: Hardback
Size: 24.6 x 18.6 cm
Extent: 240 pp
Publication date: 4 August 2022
ISBN: 9780500025284
Contents List
Introduction
1. Pissarro and Cézanne
2. Cézanne’s Material
3. Cézanne and the Outside World
4. Peasants
5. Matisse in the Garden
Conclusion
1. Pissarro and Cézanne
2. Cézanne’s Material
3. Cézanne and the Outside World
4. Peasants
5. Matisse in the Garden
Conclusion
About the Author
T. J. Clark is Professor Emeritus of the History of Art at the University of California, Berkeley. He is the author of the seminal The Painting of Modern Life: Paris in the Art of Manet and His Followers (1984) and Farewell to an Idea: Episodes from a History of Modernism (1999). He writes art criticism regularly for the London Review of Books. He is the author of Heaven on Earth: Painting and the Life to Come (2018), also published by Thames & Hudson.
