International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry’s proactive embrace of age, gender and race diversity, and its ongoing efforts to combat labour exploitation and encourage global sustainability.
1. 1900–1913: Undulations and Exotica
2. 1914–1929: La Garçonne and the New Simplicity
3. 1930–1938: Recession and Escapism
4. 1939–1945: Rationed Fashion and Home-Made Style
5. 1946–1956: Femininity and Conformity
6. 1957–1967: Affluence and the Teenage Challenge
7. 1968–1975: Eclecticism and Ecology
8. 1976–1988: Sedition and Consumerism
9. 1989–1999: Fashion Goes Global
10. 2000–2010 : Planet Fashion
11. Fashion 2010–2020
Bibliography
Valerie Mendes, formerly Head of the Textiles and Dress Department at the Victoria and Albert Museum, is a freelance fashion and textiles historian and consultant. She began her career at Manchester University's Whitworth Art Gallery, and has curated numerous exhibitions and published widely. Professor Amy de la Haye is Rootstein Hopkins Chair of Dress History and Fashion Curatorship at London College of Fashion. She was formerly Curator of Twentieth-Century Dress at the Victoria & Albert Museum, London. Her many publications include The Cutting Edge: British Fashion 1947–1997; The A–Z of Style; Chanel: Couture & Industry; and, with Judith Clark, Exhibiting Fashion.
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