Collage has been at the very heart of modern art, leaving its mark on almost every art movement since, from Dada and Constructivism, via Surrealism, Pop and Situationism, to the digital techniques of today.
This book, the first comprehensive survey of the technique, explores in full the theoretical implications and political messages behind the work of the past century, explaining how the process was intimately linked to other revolutions in art practice. It covers the many off-shoots of collage, including assemblage, montage, photo-montage and décollage, as well as related practices such as détournement. Along the way it outlines a new vision of modern art springing from this most simple and democratic of techniques.
This book, the first comprehensive survey of the technique, explores in full the theoretical implications and political messages behind the work of the past century, explaining how the process was intimately linked to other revolutions in art practice. It covers the many off-shoots of collage, including assemblage, montage, photo-montage and décollage, as well as related practices such as détournement. Along the way it outlines a new vision of modern art springing from this most simple and democratic of techniques.
Extent: 224 pp
Format: Paperback
Illustrations: 206
Publication date: 2006-08-14
Size: 27.5 x 21.6 cm
ISBN: 9780500286098
Introduction; 1. Inventing Collage • 2. Paths to Construction • 3. Dada Dialectics • 4. Legacies of the Dada Mind • 5. The Surrealist Years • 6. The Political and the Personal: the 1930s • 7. New York Conversations • 8. California Collage • 9. Later Surrealism • 10. The Critique of Cities • 11. Collage in the Counter-Culture: the 1960s • Collage After Collage
Press Reviews
What’s On In London
Frank Whitford, The World of Interiors
David Evans, Eye
About the Author
Brandon Taylor is currently Professor at Southampton Solent University. His previous books include Art of Today, Avant-Garde and After and Art of the Soviets.
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