This book offers the keys to understanding and decoding the complex politics of seeing. The conditions of collaboration in photography are explored through over 100 photography projects, divided into eight thematic chapters. The photographs from each project are presented non-hierarchically alongside quotes, testimonies, and short texts by guest contributors. These networks of texts and images provide perspective on a vast array of photographic themes, from Araki’s provocative portraits of women to archival files from the Spanish Civil War.
Collaboration is not an ultimate account of what photography is, does, or means. Rather, the book is an inspiration for teaching and an open invitation to scholars, activists, photographers and others to practice always with and alongside others and participate actively in this engagement and enquiry.
Press Reviews
Publishers Weekly
Creative Review
Amateur Photography
Photographica World
Ariella Azoulay is a Professor of Modern Culture and Media and Comparative Literature at Brown University. Wendy Ewald is a photographer who has collaborated on art projects with children, families, women and teachers for fifty years. She has published twelve books. Susan Meiselas is a documentary photographer and member of Magnum Photos since 1976. Leigh Raiford is an Associate Professor of African American Studies at the University of California, Berkeley. Laura Wexler is a Professor of American Studies, Film & Media Studies and Women’s, Gender & Sexuality Studies at Yale University.
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