This new body of work extends the artistic trajectory charted across Roger Ballen’s three previous books – Outland, Shadow Chamber and Boarding House.
The black-and-white images were photographed within the confines of a house in a Johannesburg suburb, the location of which remains a mystery. The inhabitants of the house, both people and animals, and most notably, the ever-present birds, are the cast who perform within a sculptural and decorated theatrical interior that Roger Ballen creates and orchestrates.
The resulting images exist in a space between painting, drawing, installation and photography. They are timeless, psychologically powerful and masterfully composed. In a world in which photographers seek to avoid definition, Roger Ballen’s photographs defy classification and genres: his world stands out as one of a kind.
‘At first the images seem dense, incomprehensible, but automatically your brain sets to work picking them apart … compelling’ – Amateur Photographer
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Roger Ballen is the recipient of numerous awards, including ‘Photographer of the Year’ at Rencontres d’Arles in 2002 and ‘Photography Book of the Year’ for Outland at Photo España in 2001.
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