Informed and energized by a lifetime of painting, drawing and making images with cameras, David Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters?
Juxtaposing a rich variety of images – a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velázquez painting – the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney’s groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. This new edition has a revised final chapter with some of Hockney’s latest works, including the stained-glass window in Westminster Abbey.
Extent: 372 pp
Format: Paperback
Publication date: 2020-02-20
Size: 24.0 x 16.5 cm
ISBN: 9780500094235
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Press Reviews
Clive James, Guardian
Andrew Marr, New Statesman
Daily Telegraph
The Times
David Hockney (1937–2026) was one of the most influential British artists of the 20th century. He produced work in almost every medium – painting, drawing, stage design, photography and printmaking – and stretched the boundaries of all of them. His groundbreaking Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters is published by Thames & Hudson, as are his books in partnership with Martin Gayford: A Bigger Message (2011), A History of Pictures (2016) and Spring Cannot be Cancelled (2021). Thames & Hudson also published the catalogue of his blockbuster exhibition at the Fondation Louis Vuitton in 2025.
Martin Gayford is art critic for The Spectator and the author of acclaimed books on Van Gogh, Constable and Michelangelo. He is the author of Man with a Blue Scarf, Rendez-vous with Art and A Bigger Message. He has collaborated with David Hockney on A Bigger Message and A History of Pictures, and has co-written a volume of travels and conversations with Philippe de Montebello: Rendez-vous with Art.