Part social history and part design catalogue, this innovative book delves into the sinister history of 19th-century wallpaper.
Winner: Best Trade Illustrated Book, British Book Design & Production Awards 2017
A BBC Culture Design Book of the Year
Bitten by Witch Fever traces the arresting story of the manufacture, uses and effects of arsenic in the 19th-century home, in particular, the pigments ingrained in popular wallpapers. Lucinda Hawksley reveals how pigments, such as Scheele’s green and Schweinfurt green, were created using arsenic to produce more vibrant and durable dyes, which became instant favourites with wallpaper designers and householders alike. Drawing on contemporary case studies and reports in the press, she highlights how, by the middle of the century, manufacturers were producing millions of rolls of arsenical wallpaper, with devastating consequences for those working in their factories and for those living in rooms decorated with the deadly designs.
The wallpaper sections display dazzling long-lost work from the great designers and printers of the age, including Christopher Dresser, Corbière, Son & Brindle, Charles Knowles & Co., and Morris & Co. – whose owner was famously dismissive of the fatal effects of living with arsenic-laden wallpapers.
Winner: Best Trade Illustrated Book, British Book Design & Production Awards 2017
A BBC Culture Design Book of the Year
Bitten by Witch Fever traces the arresting story of the manufacture, uses and effects of arsenic in the 19th-century home, in particular, the pigments ingrained in popular wallpapers. Lucinda Hawksley reveals how pigments, such as Scheele’s green and Schweinfurt green, were created using arsenic to produce more vibrant and durable dyes, which became instant favourites with wallpaper designers and householders alike. Drawing on contemporary case studies and reports in the press, she highlights how, by the middle of the century, manufacturers were producing millions of rolls of arsenical wallpaper, with devastating consequences for those working in their factories and for those living in rooms decorated with the deadly designs.
The wallpaper sections display dazzling long-lost work from the great designers and printers of the age, including Christopher Dresser, Corbière, Son & Brindle, Charles Knowles & Co., and Morris & Co. – whose owner was famously dismissive of the fatal effects of living with arsenic-laden wallpapers.
Extent: 256 pp
Format: Hardback without Jacket
Publication date: 2016-10-20
Size: 25.0 x 19.5 cm
ISBN: 9780500518380
Introduction: Arsenic & Victorian Paper Hangings • 1. Arsenic Murder & Myth 2. Madness in the Method; Poison in the Process • 3. Arsenic in the Home • 4. The Wallpaper Designers • 5. The Public Debate • 6. Getting Away From It All • 7. The Rise of Arsenic-free Wallpaper • Appendix
Press Reviews
World of Interiors
It’s Nice That
Emerald Street
Town Daily
About the Author
Lucinda Hawksley is the author of three biographies of Victorian artists: Lizzie Siddal, Kate Perugini (née Dickens) and Princess Louise. She also writes about art history, social history, literature and the life and works of her great-great-great-grandfather Charles Dickens. Lucinda is a Pre-Raphaelite and Aestheticism expert and a regular lecturer at the National Portrait Gallery in London.
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