Welcome to the forest.
This is where the stories live.
They’ve been breathing in the dark for hundreds of years.
Let me show them to you.
Here is the man who likes to eat children.
Here is the castle that screams in the night.
Here are the souls trapped under the sea.
This book contains fourteen gruesome tales
from around the world.
Shall we take a closer look?
Take my hand. Follow me.
We don’t want you to lose your way…
Jen Campbell's collection of terrifyingly gruesome tales lends a modern edge to fairy tale collections for young readers. Drawing on her extensive knowledge of fairy tale history, Campbell's stories undo the censoring, gender stereotyping and twee endings of more modern children's fairy tales, to return both classic and little-known stories to their grim versions, whilst celebrating a diverse range of characters.
Featuring 14 short stories from around the globe, The Sister Who Ate Her Brothers is illustrated in a contemporary style by Canadian artist Adam de Souza. De Souza's brooding illustrations are a highly original blend of 19th-century Gothic engravings and moody film noir graphic novels. Beautifully produced in a hardback format with a rose gold ribbon marker, The Sister Who Ate Her Brothers is a truly thrilling gift.
'Guaranteed to raise the hairs on the back of your neck. A wonderful addition to the bookshelf of any young reader who seeks to walk on the spookier side of the street Neil Gaiman'
'Smart, layered and full of beautiful storytelling ... The stories are dynamic and thrilling and the illustrations are just so incredibly vivid … brilliant! Elle McNicoll, author of 'A Kind of Spark''
'Quietly revolutionary... fairy tales retold from a perspective – feminist, queer, disabled – that you don't often find in traditional tales. Beautifully done James Catchpole, author of 'What Happened to You?''
'Deliciously dark, provocative, modern and relevant...Think Grimm’s tales told with a splash of Roald Dahl from a world turned upside-down The School Reading List'
'This collection ... intentionally avoids the Disney-fication of folklore ... These tales are disturbing - and satisfyingly so... Atmospheric illustrations pair effectively with the text, and Campbell departs from tradition to include overtly feminist stories as well as gay and lesbian romance without a hint of societal condemnation... Creepy and progressive Kirkus Reviews'