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The Self-Portrait

A Cultural History

James Hall

£24.95

An engaging history of self-portraiture, from the earliest myths of Narcissus to the prolific self-image-making of contemporary artists

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Overview

The self-portrait has become the defining visual genre of our confessional age, but modern artists are far from the first to have exploited its power and potential. In this broad cultural survey, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus to the prolific self-image-making of contemporary artists.

His intelligent and vivid account shows how artists’ depictions of themselves have been part of a continuing tradition that reaches back for centuries. Along the way he reveals the importance of the medieval ‘mirror craze’; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard and Modersohn-Becker; and the latest developments of the genre in the era of globalization.

The full range of self-portraits is covered here, from comic and caricature self-portraits to ‘invented’ or imaginary ones, as well as key collections of self-portraiture such as that of the Medici in Florence. Throughout, Hall asks why – and when – artists have chosen to make self-portraits, and looks deeply into the worlds and mindsets of the artists who have created them.

Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Courbet, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt and Warhol. Offering a rich and lively history, The Self-Portrait is an essential read for all those interested in this most enduringly popular and humane of art forms.

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Reviews

'There is never a dull passage in this book: the detail is crisply imparted; the content richly arcane at times, but more usually profoundly human; the ideas come freshly coined. Hall manages to retain the intellectual high ground while writing with verve and enthusiasm.'
Frances Spalding, Guardian

'Fascinating, erudite and beautifully produced'
Sunday Times

'Beautifully designed … delivers original and engaging interpretations'
RA Magazine

'This is really good art history, intelligent, knowledgeable and fired by ideas'
World of Interiors

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Further Details

Specifications

Format: Hardback

Size: 22.9 x 15.2 cm

Extent: 288 pp

Illustrations: 120

Publication date: 24 March 2014

ISBN: 9780500239100

About the Author

James Hall is an art historian, lecturer and broadcaster, and is a visiting research fellow at the University of Southampton. He is the author of four critically acclaimed books, including The World as Sculpture: The Changing Status of Sculpture from the Renaissance to the Present Day and The Sinister Side: How Left-Right Symbolism Shaped Western Art.