Jones’s Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. With Iconotypes Jones’s seminal work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing the location of each species.
Jones painted the species between the early 1780s and 1800, drawing from his own collection and the collections of Joseph Banks, Dru Drury, Sir James Edward Smith, John Francillon, the British Museum and the Linnean Society. For every specimen painting he provided a species name, the collection from which it was taken and the geographical location in which it was found. In 1787, during a visit to London, the Danish scientist Johann Christian Fabricius studied Jones’s paintings and based 231 species of butterfly and moths on them. In this enhanced facsimile, Jones’s references to historic references are clarified and modern taxonomic names are provided, together with notes on which paintings serve as iconotypes. Contextual commentary by specialist entomologist Richard I. Vane-Wright gives an account of Jones’s life and his motivation for collecting butterflies and creating the Icones, and evaluates the significance of his work. Interspersed at intervals between the pages of Jones’s paintings are modern maps showing the location of each species painted, and expert essays on the development of lepidoptery and taxonomy after Linneaus, and the roles of collectors and natural history artists from the late 1700s to mid-1800s.
'Science and art combine in an exquisite history as relevant today as it was more than two centuries ago. A book of considerable scientific value and artistic beauty. As a modern research source – at a time when habitat destruction and a changing climate are a reality and decline of butterflies globally is alarming – it is invaluable' John Tennent, The Art Newspaper
Foreword by Professor Paul Smith, Director of Oxford University Museum of Natural History Introduction: William Jones & the Birth of the Icones by Richard I .Vane-Wright
Icones Volume I: Papiliones Equites: Troes & Achivi Map—Distribution of iconotype species in Europe Article—The early study of Lepidoptera by Alberto Zilli Icones Volume II: Papiliones Heliconii Map—Distribution of iconotype species in North & Central America Icones Volume III: Papiliones Danai: Candidi & Festivi Map—Distribution of iconotype species in South America Article—A flourishing of lepidopterological activity by Alberto Zilli Icones Volume IV: Papiliones Nymphales: Gemmati & Phalerati Map—Distribution of iconotype species in Asia Article—Collecting Lepidoptera in the 18th & 19th centuries by Arlene Leis Icones Volume V: Papiliones Nymphales Map—Distribution of iconotype species in Africa Article—The art of painting butterflies by Stefanie Jovanovic-Kruspel Icones Volume VI: Papiliones Plebeji Map—Distribution of iconotype species in Australasia Article—The decline of Lepidoptera around the globe by Francisco Sánchez-Bayo Icones Volume VII: Papiliones
Conclusion: The Legacy of William Jones by Richard I. Vane-Wright Full listing of Jones’s iconotypes Bibliography Sources of illustrations Index to the butterflies Index to the articles Acknowledgments
About the Author
Oxford University Museum of Natural History conserves in its archives the only manuscript copy of Jones’s Icones in existence in the world, together with Jones’s surviving papers, correspondence, field notebooks and butterfly and moth collection. Richard I. Vane-Wright is an entomologist and taxonomist who has been associated with the Natural History Museum for nearly sixty years. A specialist on butterflies, he retired from the museum in 2004 as Head Keeper of the Department of Entomology. He has 250 journal publications to his name, and books including Milkweed Butterflies and The Seymer Legacy. He is also involved with biodiversity conservation and local entomological projects.